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Yorick
Hamlet confronts his mother Gertrude |
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Dates & Location
Monday 19th June - Saturday 24th June 2017
Evenings at 7.30pm - Saturday matinee at 2pm
Venue
Royden Park, Frankby, Wirral
Tickets were on sale from the Floral Pavilion, New Brighton
Day | Stands A & C | Stands A & C | Stand B |
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Monday, Tuesday | £12.00 | £14.00 | £16.00 |
Wednesday, Thursday | £16.00 | £18.00 | £20.00 |
Friday, Saturday Evening | £18.00 | £20.00 | £22.00 |
Saturday Matinee | £10.00 | £12.00 | £14.00 |
Each ticket is subject to a £1.50 booking fee by Floral Pavilion.
Monday and Tuesday Special Offer
Book an Adult and an Under 16 ticket in certain seats in Stands A or C and save £5.00.
( the
Floral website will indicate which seats are in the offer )
VIP Package available in Stand B - for just an additional £20 per ticket
( the
Floral website will indicate which seats have been reserved for the offer )
These must be pre-booked and will not be available on the door.
"
With the best seats in the house, a complimentary programme, indulge in Cava and canapés
in our VIP tent served by
waitresses and waiters before the production and during the interval;
Or simply treat your family to an outing they’ll never forget.
Whatever the occasion, our VIP Experiences will make you feel centre-stage"
A ghostly visitor with a shocking secret. A daughter devastated by loss. A world turned upside down by betrayal, mistrust and calculated madness. A performance, and one man’s relentless pursuit of the truth. Rulers, servants and a dysfunctional Danish family. Friendships, rivalries and traps. False loyalties and ill-fated love. A deadly duel, revenge – and murder.
Hillbark Players return in 2017 with a boldly atmospheric and compelling production of Shakespeare’s greatest tragedy. Grand in scope and rich in language, and including a surprising streak of humour, this iconic play is the original – and undoubtedly the best – Scandinavian drama, and includes one of the most famous questions of all time.
As well as being a unique part of Wirral’s cultural heritage, Hillbark Players have become the longest-established open-air Shakespeare company in the North West. Beneath midsummer skies in the magical setting of Royden Park, come and join us for an unforgettable evening of classic Shakespearian entertainment!
“A great night out, where Shakespeare’s work remains as it was for the original audience - a living event”.
The full cast and crew of Hamlet 2017 |
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The Cast | |
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Fransisco - a soldier at Esinore | David Caldwell |
Bernardo - a soldier at Esinore | Andy Jordan |
Horatio - Hamlet's best friend | Stuart Rathe |
Marcellus - a soldier at Esinore | Simon Garland |
Claudius - Brother of King Hamlet. uncle to Hamlet, and recently married to Queen Gertrude. The new King of Denmark |
Charles Riley |
Cornelius - An Ambassador of the Danish Court | David Bolitho |
Voltemand - An Ambassador of the Danish Court | Martin Riley |
Laertes - Polonia's Son, Ophelia's elder brother | Theo Spofforth |
Polonia - mother of Laertes and Ophelia. A close advisor to Claudius. |
Caroline Kay |
Hamlet - Prince of Denmark. Gertrude's son. | Adam Stubbs |
Gertrude - Hamlet's mother. Queen of Denmark. Widow of King Hamlet, recently married to his brother Claudius. |
Pauline Garland |
Ophelia - Polonia's daughter. Laertes sister. Possible lover and confidante of hamlet. |
Fiona Williams |
Ghost - of the late King Hamlet and Hamlet's father. | Mike Ellis |
Reynaldo - a trusted servant in Polonia's retinue. | Jack Hirons |
Rosencrantz - Childhood friend of Hamlet | James Dorman |
Guildernstern - Childhood friend of Hamlet | Charlotte Cumming |
The Player King - Leader of a troupe of strolling players. | Keith Hill |
The Player Queen - one of the acting troupe. | Carys Cooper |
First Player - one of the acting troupe. | Daniel Short |
Second Player - one of the acting troupe. | Gemma Davidson |
Fortinbras - Prince of Norway - a military leader. | Daniel Short |
Captain - in the Norweigan Army | Adrian Davies |
Osric - an official of the Danish Court | Adrian Davies |
Messenger | Jack Hirons |
First Gravedigger | Andy Jordan |
Second Gravedigger | Geraldine Moloney- Judge |
Ambassador - from England | James Kay |
Priest | David Caldwell |
Lady/servant at the Court | Alexander Breathnach |
Lady/servant at the Court | Karen Cumming |
The production team |
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Director
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Nick Sample |
Assistanrt Director | Ruth Stenhouse |
Scrpt consultant and Associate Director |
Stuart Rathe |
Scenic Design | Nick Sample and Nigel Cooper |
Chief Electrician | Simon Ollman |
Lighting | Nigel Cooper |
Sound | Peter Elliott |
Costume Design | Paula Cain |
Costumes produced by | Chester Costume House |
Fight Arrangements | Dan Meigh |
Wardrobe Mistresses | Jill Breckon, Nessa Garland |
Stage Manager | Gareth Cooper |
DSM's | Ben Howarth, Ruth Stenhouse, Ian Tyrer Lelia Gwynne |
ASM ( Book ) | Ann Warr |
Properties | Nessa Garland Ian Tyrer Dave Bolitho |
Props Requisitioning | Keith Hill, Nessa Garland |
Sound And Lighting Crew | Simon Ollman, Daniel Ellis, Ray Byrne, Sea Rainey |
Scenic Construction | Richard Smith, Steve Drewe, Ben Howarth, James Kay, Charles Riley, Nigel Cooper, Gareth Cooper Nessa Garland Ian Tyrer Ruth Stenhouse, |
Officials | |
Box Office Manager | Ann Warr |
Assisted by | Janet Reed, Helen Brickwood |
Front of House Manager | Simon Deere |
Front of House Team | Rachel Holmes, Rob Poston, Joanne Poston, Janet Ellis, Marc Smith, David Garry, Mark Jones, George Jones, John Lees, Gordon Wallis, Victoria Pownall, Joan Reynolds Jones, Sheila Disley, Frank Disley, Amy Duggan, Jan Bradshaw, Jean Taylor, Ted Bullen, Phillipa Hipwell, Marie Williams and many other 'supporting players' |
Press, Publicity and Promotion | Ruth Stenhouse, Nick Sample , Gareth Cooper Karen Cumming |
Publicity and Programme Design | Nick Sample - with special thanks to Marian Sample |
Leaflet distribution | Dylan and Titch |
Audition Panel | Nick Sample , Ruth Stenhouse, David Oliver |
The set of Hamlet
The arena by night
Peter and Nigel on duty
Simon and Daniel hard at work in the sparks tent
Ian and Nessa in the Props tent
click to enlarge images
Wirral Globe and Liverpool Echo adverts |
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n the gloriously sunny evening of Sunday 18th June, we attended the press preview night of Hillbark Players’ Hamlet production in the idyllic setting of Royden Park. From Monday 19th June through until Saturday 24th June, the beautiful Wirral park plays host to the theatre group’s huge Shakespeare showcase — having attended on the Sunday, we can confirm that it’s a truly magical experience not to be missed! Over £50,000 (all self funded and non-profit) had been spent on producing the week long extravaganza and the six months of hard work had led up to this point. Hillbark Players is a long standing presenter of open-air Shakespeare in the North West, having been founded in 1964 to celebrate the 400th anniversary of Shakespeare’s birth, and has presented a production every other year since. We were privileged to experience the theatre group’s first ever production of Hamlet — and we were not disappointed! As the plot unfolded and we were taken through the scenes, one thing remained particularly striking — the calibre of each and every one of the actors. In each case, the delivery was concise and clearly well refined through months of practise. Hillbark Players had offered open auditions for the roles and as such had recruited some of the most experienced acting talent in the North West — that said there were some debuts in live theatre on display, although no-one would have noticed. All actors were deeply involved with their characters and there were some fascinating and entertaining interactions, particularly between Ophelia and her brother and of course the intense and passionate engagements between Ophelia and Hamlet. ************************ Following the production, I caught up with Director, Nick Sample, for a little Q&A: Nick: I’ve been fortunate enough to direct a lot of productions, from musicals to dramas, comedies, brilliant modern plays and Shakespeare. I seem to have been involved in some plays several times –The History Boys, which I directed last year at Altrincham’s Garrick Playhouse, having previously appeared in it as Hector twice before, or The Accrington Pals, of which I’ve directed two really memorable, moving productions, stand out. Nearly all have great memories for me for all sorts of reasons, but I’d have to choose two particular productions that I’ve directed as being tied for both my favourite and most memorable: |
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The Hillbark players have been presenting open air Shakespeare for 53 years. I have seen many of their productions and have always found them impressive. This is the first time they have tackled Hamlet and I am pleased to say that they pulled it off admirably. The first thing of note was the set which comprised a tower with a curtained enclosure (with platform) below, and in front of that was a grassy space between audience and set. This was used so creatively and to such great effect that it served every scene. The director showed great understanding and subtlety in his handling of scenes. Obviously Shakespeare gives us the text, but theatre has to supply the body language and the tone of voice (as well as a thousand other things). When Claudius begins speaking in Act 1, Scene 2, all eyes are on him whilst an incidental servant wordlessly passes cakes on a plate to the gathered court. When she offers Hamlet one, he silently declines (no attention is drawn to this, and it could easily be missed, but it is fitting and serves the play). Hamlet’s emotional state is in stark contrast to that of the rest of the court. Also in the same scene, Claudius speaks first with Voltimand and Cornelius. When he is finished, Hamlet steps forward to speak, but Claudius halts him with a flat palm gesture and speaks with Laertes instead. This gesture makes it clear that Hamlet is being snubbed by Claudius from the outset. He has not only seized the crown by foul means, but he is determined to demonstrate his authority over his new ‘son.’ Every performance of Shakespeare contains these unwritten parts which only intelligent Theatre can find. It comprises the ‘hidden play’ which breathes between the lines and which has its own life while the lines are being said. Sometimes it is overdone or counter to the text. Here it was sensitive, subtle and in service to the play. In this production, Polonius was played by a woman (Caroline Kay) – played as ‘Polonia.’ She was outstanding, showing us the introspective, deliberating buffoon as someone disconnected from the real affairs and commerce of humankind (despite advising the King). She admirably brought out the comedic dimension to Polonius’s long-windedness without hamming it up or breaking the spell of the tragedy. A wonderful balancing act. The character of Fortinbras is usually cut from the play, but wisely the director (Nick Sample) chose to keep these lines. The political dimension of the play resonated powerfully (perhaps because of the current political turmoil in the UK with its hung parliament and a precarious government making deals with the DUP). Hamlet was commendably portrayed by Adam Stubbs – fresh out of university (just like Hamlet). His nuanced portrayal carried us through his characters changing moods with great aplomb. Fiona Williams made her debut for the Hillbark Players with an outstanding Ophelia, bringing out all of her naïve charm and desperate shock at her changing fortunes. Also of note was Charles Riley’s Claudius which was rightly commanding, authoritarian and cunning; and Theo Spofforth’s Laertes – a headstrong youth, rash and even a little cocky, who seeks to control his sister in ways that he himself would find repugnant. There is a natural crescendo in the arc of this story with tension building through the first four acts. When the final scenes came – with their blessed release of action, a wind had risen in the surrounding forest and the trees around and behind the stage swayed dramatically. Shakespeare oft used natural phenomena to express internal emotions (e.g. the storm in King Lear) – on this night, nature smiled on this production. So too did I. I see Shakespeare as often as I can and go to Stratford every year to see RSC productions – invariably I am disappointed. If I had a choice between the RSC and the Hillbark Players, I would choose the Hillbark Players every time. They have a knack of letting the text breathe, of finding the truth within the play – whereas the RSC all too often is busy following some directors remit (e.g. Hamlet is bi-polar) instead of Shakespeare’s great words. This humble company has been quietly brilliant for over half a century. I hope that one day they will tackle King Lear and Othello. They are up to the challenge. |
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A local Amateur Dramatic Group have been putting on Shakespeare plays in the open air since 1964. The standard of acting (and direction) is usually superb - indeed I would say that the productions by these 'Hillbark Players' has been consistently better than what is being offered by the RSC. This humble group of very talented actors and directors have been quietly serving Shakespeare thoughtfully and sensitively. |
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Granty's Inferno - Review 21stth June 2017 – Wirral Globe On-Line A PIECE of Wirral greenery becomes Denmark (and other parts of pre- Brexit Europe) this week as the Hillbark Players offer their vibrant version of Hamlet at Royden Park in Frankby. |
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Granty's Inferno - Preview 14th June 2017 – Wirral Globe GREAT Danes! The current popularity of TV and big screen dramas from Scandinavia is literally having an effect on one Wirral-based theatre company. Hamlet will be performed "under cover" by the Hillbark Players from Monday at Royden Park in Frankby for five days. Forsooth, this clever company has been bringing the Bard alive by staging it in the park since 1964. The Hillbarkers are calling their latest Hamlet: "William Shakespeare’s greatest play – the original (and best) Scandi-Noir drama". The story of the damaged Danish prince serves up rich pickings for today's political speech writers. As these apt quotes, written 400 years ago, show. How's this for a warning to us in the media: "Madness in great ones must not unwatched go". |
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To whom it may concern Hopefully next time you do a production there will be a young male part for me to audition for because I would love to be a part of an outdoor Shakespeare production. Yours Sincerely -------------------------------------------------------------------------------------------------------------------------------------- We are simply writing to say how much we very much enjoyed your production of Hamlet this year. All the cast were great, and, the actor who portrayed Hamlet was just excellent. We felt the production lost nothing in being slightly adapted for a shorter version. Kind regards, -------------------------------------------------------------------------------------------------------------------------------------- Hi Mike, I will catch up with you later in the week when I am on FOH duty but I just wanted to say how much I enjoyed the play last night. I send my hearty congratulations to you, the cast and all the technical team. From an audience member’s perspective things appeared to go very well. The action moved on seamlessly. It presented as being very slick and professional. Well done to everyone involved! It is invidious to single out performers but Adam gave an excellent performance. His diction and articulation was second to none! It was my first experience of watching a production of Hamlet and 3 hours in I can honestly say that my attention was never allowed to lapse! What is more I was able to follow the plot, an achievement indeed! Break a leg tonight. I am sure that you have a winner on your hands. Kind regards Michael Kennedy -------------------------------------------------------------------------------------------------------------------------------------- GRC Accountants Limited Richard Allan
William O'Neill Marie Williams I saw it on Friday. I thought it was one of the best Hillbark productions I have seen. Really strong cast. They managed to keep the audience engaged through a very long show. Pity there weren't more people to see it. They missed a cracking production. Well done to all involved, a brilliant sparkling and well directed production – David Tolcher Well done Nick for your excellent production of Hamlet. We saw tonight's performance and were really impressed and entertained. Some wonderful performances (even from Yorick) and an all round superb show. – Betty Oliver What a truly magnificent production. I was totally exhausted and was near tears by the end. Be proud, immensely proud. – Tessa Williams So good to see the tragedies put on at Hillbark. Really effective production and terrific acting – Helen Ash It was an excellent performance, brilliantly directed, clever set and some amazing acting throughout the whole play. Loved it! – Liz Gould Well, very lucky to have had a bit of a theatre marathon this last week. 4 fab shows in 7 days, but got to say saved the best ‘til last! The Hillbark Players production of Hamlet in Royden Park, is as good, in fact better than, any of the professional shows I saw. Amateur Dramatics?! No way!! What an amazing, atmospheric, tense production, if you haven’t already bought tickets, buy some now! – Terri McBride (on facebook). Congratulations Nick on a wonderful production at Hillbark. I was particularly impressed with Adam Stubbs as Hamlet. I understood more from this production than I did the first time I saw it on TV, so you must be congratulated on that. Is there any chance that Hillbark would consider microphones? I was sitting on the back row in main stand (Stand B) and my hearing might not be as good as it was, but as soon as certain people turned to the side stands or the back wall, every word was lost. This is my only niggle on what was a wonderful production (Although volume is more than a niggle). Well done that man! – Helen Belcham Congratulations. What a great production tonight. You are so good at bringing out the best in people. Hamlet is a magnificent show. I loved the grave digging sketch. Wonderful black humour. Thanks for a wonderful evening’s entertainment. A triumph yet again! – Sheila Davies. Brilliant last night – we all thoroughly enjoyed it; fantastic! – Ian Marshall Jane Godman @JaneGodman Adam Valentine @AdamValentine Debbie TD @Debbie_Torus Jane Godman @JaneGodman Debbie TD @Debbie_Torus St Bridget's Year 6 @StBridgetsYear6 Jun 21 ChesterCostumeHouse @ChesterCostume |
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Photographs from Helena Parker Photography
OUR THEATRE IN THE WOODS
We turn this area of Royden Park into our 'Theatre in the Woods'
See Hillbark Players arena - from the air
The Committee | |
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President | Mike Ellis |
Chairman | Nigel Cooper |
Secretary | Caroline Kay |
Treasurer | Gareth Cooper |
Business Manager | Adrian Davies |
Committee members |